Artificial Intelligence:The scifi character


Henryk Szubinski



the most realistic formats of description in the OLD English
OVER DOING the Tematic : as the basis of the combinations of

THEME and the SYSTEM USED to define the reality of fictional characters

would be the GENRE of a combination as is with modern literature or SCI FI that it is a MIX of Science and Fiction as the closest one can get to the COMBINED world of impressions in the future as the science of the technologies present there.
basics of Audlous Huxley


defines the fase when the usage of REAL VALUES were synonomous with the language used to tell the tale; the basic close approach to the CONCEPTS of real and HARD LIFE like the books of MARK TWAIN and Hard times.

Realism in the visual arts and literature refers to the general attempt to depict subjects “in accordance with secular, empirical rules”,[1] as they are considered to exist in third person objective reality, without embellishment or interpretation. As such, the approach inherently implies a belief that such reality is ontologically independent of man’s conceptual schemes, linguistic practices and beliefs, and thus can be known (or knowable) to the artist, who can in turn represent this ‘reality’ faithfully. As Ian Watt states, modern realism “begins from the position that truth can be discovered by the individual through the senses” and as such “it has its origins in Descartes and Locke, and received its first full formulation by Thomas Reid in the middle of the eighteenth century.”[2]

the OLD ENGLISH ; OVERSELF as related to

OVER TELL SELF TALE as a function of descriptives that are done till they are real as the basic ability to use fantasy as a format of explanations to REALISE them into REAL things.

a lot of EOUROPEAN histiry has changed through periods of binary definitions such as the

METHODIC MIX with Madness in the English period of Shakespeare:

as the combinations of using method till the reality of the usage sets in and WORKS much like the result of madness as with Dr Frankenstein

as the old English myths of tales and fantasy beings in the OLD EARTH TRADITIONS
there are beings that become real and humans can enter theese worlds through the usage of tell tales and their basic communications as being real.

The Earth-mother-earth Goddess:

Archaeological evidence has emerged from all over the prehistoric world that the Earth itself was once viewed/worshipped as a living female form, from whom all life is born and into which we all pass back into after death.

The worship of the Mother-Earth was a common belief before the development of the patriarchal society. It can be seen reaching back into the Palaeolithic period through the numerous Venus figures discovered in Europe.

The mother-earth belief system had close connections to the beliefs in the afterlife, as seen in the use of red-ochre in funerary rights and an association with the underworld through the female dominated oracle centres.

.NYMPHS ELFS of Ledgend as well as the Scandinavian traditions of TROLLS and Giants as well as the OLD ENGLISH ledgends of Merlin and ARTHUR.

Linguistics as related to the OLD ENGLISH IC as the ability to tell tales

In linguistics a tell-tale is a string of characters that occurs only within one language within a group of languages. A reader can be completely certain which language they are reading if he or she comes across a tell-tale. In this sense, a tell tale is a dead give away of what the language is.
More formally, a tell-tale of a member L of some language class is a finite subset of L such that no other language containing the subset in the class is a proper subset of L. In other words, a tell-tale is a finite subset that makes a language being a minimal consistent one in the class. The term is used in the field of artificial intelligence and machine language learning as well as linguistics.


The Phoenix spacecraft contains a tell-tale, developed by the University of Aarhus in Denmark, as part of its Meteorological Station.[2][3] It is a small tube that is deflected by the martian wind. The science payload’s stereo camera recorded images of the tell-tale that are used to determine wind direction and speed.[4]

basically the type of FICTIONAL QUEST in the story as with the type of place in which the borders between reality and fantasy are heightened so that the similarity of EAST and WESt are clearly felt with the descriptives of CIVILISATIONS and the experience of a POINT OF VIEW

basically the type of story approach used by the study of a MEDIA JOurnalist in developements as the character in the story grows and learns to SURVIVE

a lot of this story speaks for the EARLY way in which the East and Far East were seen by Eouropeans and the change in the mind set by MEDIA INQUIRY and MEDIA Philosophy as the Change that occurs with any EOUROPEAN curiosity of the Unknown..

As the basics of the SCIENCE FICTION USAGE of the basics of the type of SCIFI GENRE in LITERATURE

Genre (pronounced /ˈʒɑːnrə/, also /ˈdʒɑːnrə/; from French, genre French pronunciation: [ʒɑ̃ʁ], “kind” or “sort”, from Latin: genus (stem gener-), Greek: genos, γένος) is the term for any category of literature as well as various other forms of art or culture, e.g., music, based on some loose set of stylistic criteria. Genres are formed by conventions that change over time as new genres are invented and the use of old ones are discontinued. Often, works fit into multiple genres by way of borrowing and recombining these conventions.
While the scope of the word “genre” is commonly confined to art and culture, it also defines individuals’ interactions with and within their environments. In order to be recognized as genre these interactions and environments must be recurring.

basic 3 types

the Character and the usage of the

QUEST as the fictional character that displaces through the multitudes of SCIFI situations with the MEDIA repproting of the characters dialogue in mind: the story is like a MEDIA coverage: the result is basically that the REALITY of the SCIFI alteration into SCIFI REALITY as with most SCIFI books that subsequently might become real is basically the type of MEDITATIONS over the content of one side and the alternate side in which the concept is easily graspable as the NON STOP:

the QUEST as the stage of the fictional character

the basics of a GENRE of a scifi story .

is the side that closes a rectangle A.I usage
the surface of a story is usually a data screen as with artificial intelligence developements

If a rectangle has length l and width w
it has area A = lw,
it has perimeter P = 2l + 2w = 2(l + w),
each diagonal has length ,
and when l = w, the rectangle is a square

most of what happens in the late 19 s and early 20 s
based on OVERDOING THE ATTITUDES OF being put in dangerous or hazzardous situations

as the BOARD IN OVERBOARD being defined as BOARD of DIRECTORS:

a EOUROPE in developement is based on the freedoom of motion by
chordis 3
chordis 4 the 4 freedooms
the 5th freedoom of knowledge moovement
chordis 6
chordis7 the 7th framework.

A board of directors is a body of elected or appointed members who jointly oversee the activities of a company or organization. The body sometimes has a different name, such as board of trustees, board of managers, board of governors, or executive board. It is often simply referred to as “the board.”
A board’s activities are determined by the powers, duties, and responsibilities delegated to it or conferred on it by an authority outside itself. These matters are typically detailed in the organization’s bylaws. The bylaws commonly also specify the number of members of the board, how they are to be chosen, and when they are to meet.
In an organization with voting members, e.g., a professional society, the board acts on behalf of, and is subordinate to, the organization’s full assembly, which usually chooses the members of the board. In a stock corporation, the board is elected by the stockholders and is the highest authority in the management of the corporation. In a non-stock corporation with no general voting membership, e.g., a university, the board is the supreme governing body of the institution.[1]
Typical duties of boards of directors include[2][3]
governing the organization by establishing broad policies and objectives;
selecting, appointing, supporting and reviewing the performance of the chief executive;
ensuring the availability of adequate financial resources;
approving annual budgets;
accounting to the stakeholders for the organization’s performance.
setting their own salaries and compensation
The legal responsibilities of boards and board members vary with the nature of the organization, and with the jurisdiction within which it operates. For public corporations, these responsibilities are typically much more rigorous and complex than for those of other types.
Typically the board chooses one of its members to be the chairman, sometimes called a president of the board in the United States.

much like the ALIENS movies and all the INDEPENDANCE DAY types of EARTH BEING IN DANGER
is a mix between over activity of ones own BOARD or ruleing governement as the rule of the day
such as with modern interpretations of WAR OF THE WORLDS or THE DAy THE EARTH STOOD StILL

Man overboard is a situation in which a person has fallen off a boat or ship into the water and is in need of rescue. Whoever sees the person’s fall should shout “man overboard” to alert other crew members and attempt to maintain visual contact with the person in the water. By pointing continuously to the victim, the person can aid the helmsman in approaching the victim.


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