scifi modellations

scifi as real as it gets on the screen
and the physics of illusion

data courtesy of Wikipedia
Youtube
and the web

Industrial Light & Magic (ILM) is an Academy Award-winning motion picture visual effects company that was founded in May 1975 by George Lucas and is owned by Lucasfilm. Lucas created the company when he discovered that the special effects department at 20th Century Fox was shut down after he was given the green light for his production of the film Star Wars. The studio originated in Van Nuys, California, later moved to San Rafael, and is now based at the Letterman Digital Arts Center in the Presidio of San Francisco.

A scale model is a physical model, a representation or copy of an object that is larger or smaller than the actual size of the object, which seeks to maintain the relative proportions (the scale factor) of the physical size of the original object. Very often the scale model is smaller than the original and used as a guide to making the object in full size. Scale models are built or collected for many reasons.
Professional modelmakers often create models for many professions:

for more details ses the website

http://www.scififantasymodeller.co.uk

data on SPECIAL EFFECTS :

courtesy of Wikipedia

The illusions used in the film, television, theatre, or entertainment industries to simulate the imagined events in a story are traditionally called special effects (often abbreviated as SFX, SPFX, or simply FX).
Special effects are traditionally divided into the categories of optical effects and mechanical effects. With the emergence of digital film-making tools a greater distinction between special effects and visual effects has been recognized, with “visual effects” referring to digital post-production and “special effects” referring to on-set mechanical effects and in-camera optical effects.
Optical effects (also called photographic effects), are techniques in which images or film frames are created photographically, either “in-camera” using multiple exposure, mattes, or the Schüfftan process, or in post-production processes using an optical printer. An optical effect might be used to place actors or sets against a different background.

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