quest for DIRECT film Controll

FILM DIRECTOR: Henryk Szubinski

Film continuity
film studio all inclusive

basic stageings of ones own choice to reverse action sequences

BASIC EU EXTERNAL SERVICE FOR
chordis 3 to 4th freedooms , 5th freedoom of knowledge moovement and Chorrdis 6 as well as Chordis 7 of the 7th framework defines any total system manufacture such as a software programme that can use the non copyright restrictions in a total type VOLUME OF A DATA design moniptr or the ways in and out by basic wires or outlets of the usage of such data as presented here; THE BASIC FILM MAKERS DREAM

to which any basic law is the total non restricted motion of concepts and real ideas.
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the usage of PORTAL in this article relates to the fictional &/or non fictional worlds as accessed through a mathematical example of the type of SYSTEMS that are available to travellers through such portals of the VERY EARLY PRE HSITORIC USAGE and the TYPES of restricted usages for FILM SUSPENCE
the basis of SUSPENCE is the basics of the usage of PORTALS IN FILM AS A CONCEPT that EXISTS AT EVERY STAGE OF A FILM by the basic laws of
MONOLOGUE

A “jumpgate” of the X Universe, part of a space-travel network.

in fact PORTALS HAVE THEIR OWN MONOLOGUE as being the DIRECT LINK between the FILM CREW and the PUBLIC AUDIENCE
How does this work , well a secret PORTAL has SECRET users of such means
So that a problem with the USAGE will define the NON DECLARATION of MONOLOGUE in relations to why it is secret and the basic ACTING OF HAVING NO IDEA why the PORTAL has been accessed or VIOLATED

THE BASIC LAW IS THAT THE USER must know why the PORTAL HAS BEEN accessed without AUTHORICATION so the actor must maintain a SENSE OF NO DECLARATION of this knowledge, this lends an air of suspence but also of greater tension and aprehension of the plott of the story BECAUSE THE MONOLOGUE that contains this mistake is basically KEPT BY THE ONE WHO made the mistake and has to define his or her own PORTAL of LIES or any type of ACTION with SURVIVING or escapeing trouble.
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The basic concept of the portal as a link to another point in space, within the same universe.

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A portal in science fiction and fantasy is a magical or technological doorway that connects two distant locations, whether separated by spacetime. It usually consists of two or more gateways, with an object entering one gateway leaving via the other instantaneously.
Places that a portal will link to include: a different spot in the same universe (in which case it might be an alternative for teleportation); a parallel world (inter-dimensional portal); the past or the future (time portal); and other planes of existence, like heaven, hell or other afterworlds. A parallel world, such as C. S. Lewis’s Wood between the Worlds may exist solely to contain multiple portals—perhaps to every parallel world in existence.
Portals are similar to the cosmological concept of a wormhole, and some portals work using wormholes.

A Camera operator filming a scene from the 1950 Hollywood film Julius Caesar starring Charlton Heston

a monolouge is a first person account of a script to him or herself as the direction of its safe NON DECLARED USAGE or repetition when involved with Dangerous FICTION scenes
meaning
YOU WOULD NOT GIVE AWAY YOUR MOTIVATION for getting through the story with conclusions that are the basis of the action of the film.. As such this is the secret type of motivation in all scripts for the
YOU KNOW you can COUPLE the CONCEPTS INTO RELATED data BUT in Question you WOULD NOT make the LINK what in TROUBLE: the basic act is that this is difficult to accertain as such it is the fiction GRASPH at the ILLUSION OF REALITY
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the following is a film script: as such it is fictuous

the basis heree is of a MIND SET of CERTAINTY as regards the FILMING and resultance of FILM by the isolated method amongst the VERY HIGH amount of CHOICES as being a SINGULAR example of the WAY TO DO IT type
SCIFI
is inferred only in choice and can be used in any category of film types

inferrance of data as interrupted by the question WHY as the definition of INTRUSIVE definitions of what and the response of data on a URGENCY of the type of data as being explanative of and does away with the intrusive
text between two actors as related to the text concise explanations of a topic to which the isolated data is the definition of a sequence of values
in the IF END = the sense of a story
If there was an END the response would be NO
if the total is questioned the response is INCREASED TOTALS
or in question of character the response to isolation is to explain the NOT as in NO WAY involved with
BECAUSE EVERYTHING NEEDS to RESTART by RE MOOVING
there is in no way REMOOVING of data to which the UNIVERSAL categories of data is used
PERSON isolated on data section (any level) and answers to section 2 = wrong section
the data is then reffered to a multiple level sequence in which the higher INTELLIGENCE is related to a question pertaining to the content of greater levels of intrusion
DO YOU FEEL INTRUSIVE BEHAVIOUS
answer : sometimes
Can you isolate this for a level of deniability
= a boosted sense of the problem being in any of the following
DO YOU FEEL ANY OPPOSITION to
Answer as relates to the section of personalised data : as suggestive “YOU MEAN THE ……….”
as relates to data question: answer NO
data continues: theese sections as examples of anything that would pertain to the problem being…..AS TO WHAT IT REALLY MIGHT DO
and their EFFECTS

security related OBSERVATIONS and their answer to the FILM DIRECTOR as the suggestive Question and the content of the data VALUE as having any TOP LEVEL relations by rhetorical questions of suggested data compartements
answer STOP THAT
questions: IS THAT IN ANY WAY A RELATED TO PROBLEM OF HAVING TOP SECRET DATA
following: answer back: NO THAT IS ONLY such and such as data:
OK to continue the questionair would you answer yes or no to any of the following.
CATEGORY related to considerations of the inherent ability to describe the considerations of ones own choice in amounts of regarded data personals.

Film crew and equipment on a location shoot.

following are some category clouds on the types of interactive resonings of a script where the case subject KNOWS NOT : and as such must act , tis is a basic act within a act and is the BASIS OF PORTAL LAW:
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1)
a and b,
b
a
multiple
a
b
= inside
out

2)
divisive
behavior
some
feel
that
divisiveness
between
against
exist
parameters
WORLDS
separations

ask
what
really
does
not
constitute
divisive
behavior?

3)
motion
action
unbalanced
force.
increased
directly
BOOSTED
closed
system

4)

stop
plosive
occlusive
stopping
OBSTRUCTION
Plosives
Sometimes
stop
NO
WAY

5)
Life
from
those
that
do
not
death
inanimate
stimulii
various
array
biosphere
LAW

6)
combining
mixing
variety
traits
MOTION
continue
source
vector
turns
experience

7)

planets,
stars,
galaxies,
intergalactic
space
worlds
different
Observations
ended
great
distances,
universe
throughout

8)

civilization.
alienation.
return
continuiim=
KNOWLEDGE
deindustrialisation,
abolition
abandonment
large-scale
organization
technologies
denied

9)

prototype
OLDER
barriers
symbol
person
immortality
epitome—personality
literary
term
express
details
examples…………………….

maintainements
STORE
basic
STORE
BEEN
HERE
GIFT
Archetype
thousands
including
prehistoric
artwork.
isolate
immortals
luminate
personality
CAPTURED
suggested
universal
contentless
forms
channel
Archetypes
cited
ancient
mythology
Hero
Thousand

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