universal fantasies out there
a compile by Henryk Szubinski
data courtesy of Wikipedia
the BASIS of UNIVERSAL FANTASY or theexperiences of the EARTH Fantasy as the basis of a string of fantasies supported by each other into a SHARED FANTASY
as the basis of there being LIFE on other planets as well as EXTRA HUMAN CIVILISATIONS there would be a chance to MAKE LINKS in the types of planetary basis of each such civilisation to have a basis of FANTASY so that the total UNIVERSE in general would define the total UNIVERSE FANTASY of each of its LINKED and temporally defined DISPLACEMENTS from one fantasy SCIFI world to the next
THE EARTH is a force known by its strength of solidity of iTS ROCK CORE and surface
So that FORCE FIELDS are usually very strong , their similarity to ROCK is Real
As such the amount of texture of a FORCE field defines its variance of TYPES
Main dependance of a frce field as in variance is the high amount of texture so that a fantasy FORCEFIELD is basically a ROCK FORCE that defines the difficulty of a shared FANTASY as being displaced through such a field
But there are many theories that define humans as able to displace through them and to share their FANTASIES
You can go to the site below If you like fantasy
All the way up into the reasons why the LINKS themselves are part of a larger force of FANTASY and the displacability through forced interactions of the type of DEFINITIVE FANTASY cause and effect
BASICALLY the shared FANTASy of the types of fantasy CONTEX OF DATA that is otherwise not DISPLACABLE BEYOND THE sense of EXTERIORISATIONS in such large FORCE FIELDS that would SUSTAIN THE FORCE as a continuiim.
Fantasy is a genre that uses magic and other supernatural phenomena as a primary element of plot, theme, and/or setting. Many works within the genre take place in fictional worlds where magic is common. Fantasy is generally distinguished from science fiction in that it does not provide a logical (or pseudo logical) explanation for the scientifically impossible events that occur, though there is a great deal of overlap between the two (both are subgenres of speculative fiction).
In popular culture, the genre of fantasy is dominated by its medievalist form, especially since the worldwide success of The Lord of the Rings books by J. R. R. Tolkien. In its broadest sense however, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient myths and legends to many recent works embraced by a wide audience today.
Fantasy is a vibrant area of academic study in a number of disciplines (English, cultural studies, comparative literature, history, medieval studies). Work in this area ranges widely, from the structuralist theory of Tzvetan Todorov, which emphasizes the fantastic as a liminal space, to work on the connections (political, historical, literary) between medievalism and popular culture.
images from CONCEPT SHIPS
Fantasy is a popular genre, having found a home for itself in almost every medium. While fantasy art and recently fantasy films have been increasingly popular, it is fantasy literature which has always been the genre’s primary medium.
Fantasy role-playing games cross several different media. The “pen & paper” role-playing game Dungeons & Dragons was the first and is the most successful and influential, and the science fantasy role-playing game series Final Fantasy has been an icon of the console RPG genre.