swedish experimental sound

EXPERIMENTAL SOUND 1995

By Henryk Szubinski

Europeiska flaggan

4 freedooms

the 5th framework the freedoom of knowledge moovement

Chordis6

the 7th framework Chordis7

just like this case example it is a simulation of a product such as a musical device which when presented in this way can be accepted into the trials for a commerical product that will span the whole EU market: the basis are easy the case name is the ANGEL and is a Israelii market analist who signs all the papers regarding product guarantees so that there are no problems concerning the non availability of market demands by a singular or personal type of emotional guarantee of the objective ,just like there are no emotional entities that controll the market in certain sectors, the need for a internal governement is not required, nor is the basic need of a higher level of classified levels of restriction…

DATA ON A CASE OF THE NON MISSING INTERVAL LOCATED AT THE START OF THE EU FORMATION BY THE BASIS OF A SITUATION DEFINED AS ACCIDENTAL; the basic Velevet revolution

data on any response based on the 3 rd formats of contact were defined as non existant at the event when 1 million accidentals gathered in Prague to no avail

AS THE BASIS OF BOTH HEMISPHERES OF THE PLANET EARTH AND THE CASE OF MUSIC IN THE FORMATIONS OF THE INTERNAL REPUBLIC : AS NO CURRENT EVIDENCE OF A CASE SCENARIO IN THIS DOCUMENTATIONS AS STARTED WITH ANY CONTACT BASIS

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as regards many of the early sound experimentations form the Chicago art ensamble and their usage of basic non instruments to define sound as a basic soundscape with only the very minimalis usage of the sound itself as internally defined on the feel of the object as it is inside

Experiments that were obviously meant for some type of context rule to the intelligence inside the cognition when it is allowed to work freely with its emotions as a basic response: most listeners were observed as not mooving at all or feeling that they had only one basic emotional descriptive: that they did not feel anything and that thism made them stop to think

The definition of the mind incapacity was basically defined as IMPERSONALITY: or the lack of human responses , not as first recorded that the listeners were trying to think the two go together only in impersonally based relations with the outside reality defined as stemmic and the basics are that to know what motivates the internal sound as a non emotive act

The basics of the conclusive evidence for no existance of such a intelligence posed problems for the Swedish art instrumentalists at the 90 s who tried verry hard at defining the electronic side of very high level computations and synthetical sound alterations by computers , but though they were pioneering in their approaches the basic LINK to or CONTACT level  was not reached , there was simply no interest in the act of NOT TINKING while making advances in conceptuality as a format of inventiveness

That was 20 or so years ago: Basically music has mooved on and the 3rd degree in CONTACT by altered sense means has come nowhere

there is only the basis that to not describe the problem is to define it as classified under the rule of the definition would be less of a INTELLIGENCE level than the descriptive of the problem by astrophysics so that the wastagee of a good contact CONTEXTUALITY WOULD BE WASTED both on the 3rd level and the 4th

as the basic definition of:

volume / h = externality + x

where the external sense mechanisms are not there due to the volume of externality and its total of a universal value in subtracting from the basis of the weight or volume of the brain while maintaining this divisive occilations

= the non active emotive functions by a wavelength

basically the whole format of the data on the formats of registrations that someone is alive are the basic law of the data on how much interaction a listener has to the levels of the body volume..

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.this is known as POSITIVE ORIENTATIONS in the parameters of sounds that have no basic function much like the ultrasonic sound waves that only specialised hearing can sense and make sense of..

The external can be sensed but it would take a lot of practice to discriminate the external universe and its positive orientation on a interactive basis with the volume remaining in the SUBTRACT as onees own and subsequent additions with the volume of the cognitive capacity as in continual alteration,

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as such POSITIVE ORIENTATION is limited to the level of awareness and the access between individual type head sets that can be designed to experience this new type of REALITY

It is known that during the experiments of the Chicagoe art ensable that the access by alterations of the state of awareness did not do anything but suggest that the  the interaction functioned on the basis of which the theory is comprised in its total and that forgetting = only to a full unit value of cognition of memory recall..

The basic definition WORTHLESS and in a sector of sound of NONSENSE that is placed in a alterior side of the types of forces or force fields in the universe.

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basically the whole ection sequence as the types of values by their similar recognitions and the usage of some value variance ahead of the basics in which the definitions of a PRIME access and the repeat sense stimulations are basic to the amount of SHAREING that is going on in a POSITIVE ORIENTATIONS of the sounds that comprise the motivations to displace into the beyond even though the sound range is at about 1 micro volt placeing it as a fenomenon in the corona of the cognitive and cereberal cavity by the hairs length = static electricity

As in basic recall abaility this basic value in which the continuiims are based on the definitions of displacement and the subsequent values of the parameters in which the gradations of difficulty are basically in the input of a probe type relation as the values are boosted and the recognitives are redefined as being in the minimal or nodal types of awareness of a point in spacetime = the cognition by cereberal functionings

 

The problem this created was that the basic drive for the interactions could only be made on the basis of a 1 at a time interactive type of data based imprint in the amount of available force or energy that the body had in regards to the types of input by multiple inputs upto the stage of a complex

Sx = the values of a definite type volume symbiosis with the basics of the way out scenarios of the general descriptive :

That the brain in its responsive to use theese types of waveforms made the conclusions of the exit scenario more actively displaced tahn the basis of the volume remaining in nthe universe in which the volumetrical relations were made to such a degree that the similarity of the universe and its kinimal access could override the whole human body and its bio kinetic source…This went known of as the types of altered states of primitive cultures upto the stage where they started to experiment with their own computers and learnt to use them to adapt on a level of the rotatability of the vector spacetime in relations to DJ players and the POSITIVE ORIENTATIONS problem..

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