sci fi reality……..solid state spacetime

 

 

s o l i d    s p a c e t i m e

By Henryk Szubinski 

 

spacetime sectional values as =c. t. r.s.q

theese values as inverted into sections =forwards/ reverse as area inverted resultants from the volume based data

OFTHE FORCE OF THOOSE SECTIONS

in a differencial response of the spacetime .root volume by involvance of measurements

Area =l.b

Volume = l.b.h

where ;

l= c

b=s

h=t

volume = differencial q dq

area =r inverted

 

as a format for spacetime as a solid fase reality:

WHAT KIND OF FORMULATION WOULD IMPLY THAT THE SPACETIME IS IN MOTION BY A GENERAL DISPLACEMENT FORMULATION:

 

 

Particle displacement or particle amplitude (represented in mathematics by the lower-case Greek letter ξ) is a measurement of distance (in metres) of the movement of a particle in a medium as it transmits a wave. In most cases this is a longitudinal wave of pressure (such as sound), but it can also be a transverse wave, such as the vibration of a taut string. In the case of a sound wave travelling through air, the particle displacement is evident in the oscillations of air molecules with, and against, the direction in which the sound wave is travelling.^[1] A particle of the medium undergoes displacement according to the particle velocity of the wave traveling through the medium, while the sound wave itself moves at the speed of sound, equal to 343 m/s in air at 20 °C.

 

The instantaneous particle displacement ξ in m for a wave is:^[2]

 

If the wave is a standing wave or a traveling wave containing a single frequency, the particle displacement is:

This expression for ξ undergoes simple harmonic oscillation, and as such is usually expressed as an rms time average.

Particle displacement for a traveling wave containing a single frequency can be represented in terms of other measurements:

where in the above equation, the quantities ξ,v,a,I,E,P_ac may be taken throughout as rms time-averages (or all as maximum values). The single frequency traveling wave has acoustic impedance equal to the characteristic impedance, Z = Z₀. Further representations for ξ can be found from the above equations using the replacement ω = 2πf.

 

 SPACETIME INTERVALS :

 

 

 

When a space-like interval separates two events, not enough time passes between their occurrences for there to exist a causal relationship crossing the spatial distance between the two events at the speed of light or slower. Generally, the events are considered not to occur in each other’s future or past. There exists a reference frame such that the two events are observed to occur at the same time, but there is no reference frame in which the two events can occur in the same spatial location.

For these space-like event pairs with a positive squared spacetime interval (s² > 0), the measurement of space-like separation is the proper distance:

   (proper distance).

Like the proper time of time-like intervals, the proper distance (Δσ) of space-like spacetime intervals is a real number value.

BASIC INTERVAL /DISPLACEMENTS IN THE 6X FORMAT LIMIT = BASE VALUES OF INVERTIONS AND DIFFERENCIALS:

 

In a Euclidean space, the separation between two points is measured by the distance between the two points. A distance is purely spatial, and is always positive. In spacetime, the separation between two events is measured by the interval between the two events, which takes into account not only the spatial separation between the events, but also their temporal separation. The interval between two events is defined as:

   (spacetime interval),

where:

is the speed of light;

and denote differences of the time and space coordinates, respectively, between the events.

(Note that the choice of signs for s² above follows the spacelike convention (-+++). Other treatments reverse the sign of s².)

Spacetime intervals may be classified into three distinct types based on whether the temporal separation (c²Δt²) or the spatial separation (Δr²) of the two events is greater.

Certain types of worldlines (called geodesics of the spacetime) are the shortest paths between any two events, with distance being defined in terms of spacetime intervals. The concept of geodesics becomes critical in general relativity, since geodesic motion may be thought of as “pure motion” (inertial motion) in spacetime, that is, free from any external influences.

sci fi reality………..lords of force

LORDS OF FORCE

By Henryk Szubinski

 every hero has a force of channeling by a crystal format for power ; THE JEDIS USE A CRYSTAL IN LIGHT SABRES..that represent the good..

A crystal or crystalline solid is a solid material, whose constituent atoms, molecules, or ions are arranged in an orderly repeating pattern extending in all three spatial dimensions. The scientific study of crystals and crystal formation is crystallography. The process of crystal formation via mechanisms of crystal growth is called crystallization or solidification. The word crystal is derived from the ancient Greek word κρύσταλλος (krustallos), which had the same meaning, but according to the ancient understanding of crystal. At root it means anything congealed by freezing, such as ice.^[1] The word once referred particularly to quartz, or “rock crystal”.

Most metals encountered in everyday life are polycrystals. Crystals are often symmetrically intergrown to form crystal twins.

a crystal has to have some general specific functions;

In discourse-based grammatical theory, information flow is any tracking of referential information by speakers. Information may be new, just introduced into the conversation; given, already active in the speakers’ consciousness; or old, no longer active. The various types of activation, and how these are defined, are model-dependent.

Information flow affects grammatical structures such as

• word order (topic, focus, and afterthought constructions).
• active, passive, or middle voice.
• choice of deixis, such as articles; “medial” deictics such as Spanish ese and Japanese sore are generally determined by the familiarity of a referent rather than by physical distance^{[citation needed]}.
• overtness of information, such as whether an argument of a verb is indicated by a lexical noun phrase, a pronoun, or not mentioned at all.

how a channeling route is blocked and assumed to be channeling only nonsense concerned with data of a previous nature must refer to the previous channeling portal, but because the intervals of force in channeling only have a basic decimal value ,the origins of much telling is in the telling itself in place of the real place to proove the force of justice  as the format of a previous root to which the cause of values are:

The square of any positive or negative number is positive, and the square of 0 is 0. Therefore, no negative number can have a real square root. However, it is possible to work with a larger set of numbers, called the complex numbers, that does contain solutions to the square root of a negative number. This is done by introducing a new number, denoted by i (sometimes j, especially in the context of electricity where “i” traditionally represents electric current) and called the imaginary unit, which is defined such that i² = −1. Using this notation, we can think of i as the square root of −1, but notice that we also have (−i)² = i² = −1 and so −i is also a square root of −1. By convention, the principal square root of −1 is i, or more generally, if x is any positive number, then the principal square root of −x is

because

By the argument given above, i can be neither positive nor negative. This creates a problem: for the complex number z, we cannot define √z to be the “positive” square root of z.

For every non-zero complex number z there exist precisely two numbers w such that w² = z.

[edit] Examples

• the square roots of are:

and

how the high lord became a dark magician in the magical school of a guid ( shown later in Trudys book) to which the law of the role player character is given his power by the laws of the confrontation with Trudy who has a clear conviction that the power of the

guilds own function as a giver of magical power has a side to it that must primarily in the first case be concerned with protecting the character involved with her role by fronting a greater diversion in the face of the law that govorns all magic in its limitless power effidice by the supply of sections of magical knowledge in a periodical time period that has only as a section of history , the functions of one law in which the escapant laws of the opposite are escaping from:

where the story ends is where the begning is told:

Channelling is the process that constrains the path of a charged particle in a crystalline solid.

Many physical phenomena can occur when a charged particle is incident upon a solid target, e.g., elastic scattering, inelastic energy-loss processes, secondary-electron emission, electromagnetic radiation, nuclear reactions, etc. All of these processes have cross sections which depend on the impact parameters involved in collisions with individual target atoms. When the target material is homogeneous and isotropic, the impact-parameter distribution is independent of the orientation of the momentum of the particle and interaction processes are also orientation-independent. When the target material is monocrystalline, the yields of physical processes are very strongly dependent on the orientation of the momentum of the particle relative to the crystalline axes or planes. This effect is commonly called the “channelling” effect. It is obviously related to other orientation-dependent effects, such as particle diffraction. These relationships will be discussed in detail later.

This type of dillema represent the high wizards law of a star in orbit around a galaxy but also the power that centres the telling of the force in which the knowledge of binding the force of the telling can be chanelled and which will never be forgotten as the story lead in a fight for justice in a injuste section of a android type law of recluse destitute formats of decriptive tale overs of the general computer cover of a whole republic much like the OBIWAN KENOBI type jedi

Obi-Wan Kenobi is a fictional character in the Star Wars universe. He is one of several protagonists in the Star Wars series and the main protagonist of the prequel trilogy. Along with Anakin Skywalker/Darth Vader, R2-D2, and C-3PO, he is one of the few major characters to appear in all of the six Star Wars films. He is portrayed in the original trilogy by Sir Alec Guinness and in the prequel trilogy by Ewan McGregor.

Kenobi first appears in Star Wars Episode IV: A New Hope. Luke Skywalker, the film’s protagonist, first believes that Kenobi is a mysterious hermit known as Old Ben Kenobi. Soon Kenobi reveals himself to be an exiled Jedi Knight, and begins to tutor Luke Skywalker in the ways of the Force, a natural power harnessed by the Jedi.

In the prequel films, Kenobi first appears in Star Wars Episode I: The Phantom Menace as a young Jedi. Soon, Kenobi progresses from apprentice, to knight, to master on the Jedi High Council.

The High Lord is the third book in The Black Magician series by Trudi Canavan. Published in 2003, it is the sequel to The Novice and The Magicians’ Guild and concludes the story of Sonea, a former slum-girl discovered to possess magical potential. Having earned the respect of her fellow students and her teachers, Sonea must face the terrible secret of the High Lord’s use of forbidden Black Magic.

THE DARK LORD REPRESENTS THE DARK SIDE OF THE FORCE

Storytelling is the conveying of events in words, images, and sounds often by improvisation or embellishment. Stories or narratives have been shared in every culture and in every land as a means of entertainment, education, preservation of culture and in order to instill moral values. Crucial elements of stories and storytelling include plot and characters, as well as the narrative point of view.

The earliest forms of storytelling are thought to have been primarily oral combined with gestures and expressions. Rudimentary drawings scratched onto the walls of caves may be forms of early storytelling for many of the ancient cultures. The Australian Aborginal people painted symbols from the stories on cave walls as a means of helping the storyteller remember the story. The story was then told using a combination of oral narrative, music, rock art and dance. Ephemeral media such as sand, leaves, and the carved trunks of living trees have also been used to record stories in pictures or with writing.

The evolution of technology has changed the tools available to storytellers. With the advent of writing, the use of actual digit symbols to represent language, and the use of stable, portable media stories were recorded, transcribed and shared over wide regions of the world. Stories have been carved, scratched, painted, printed, or inked onto wood or bamboo, ivory and other bones, pottery, clay tablets, stone, palm-leaf books, skins (parchment), bark cloth, paper, silk, canvas and other textiles, recorded on film and stored electronically in digital form. Complex forms of tattooing may also represent stories, with information about genealogy, affiliation and social status.

Traditionally, oral stories were committed to memory and then passed from generation to generation. However, in the most recent past, written and televised media has largely surpassed this method communicating local, family and cultural histories.

e SCI FI REALITY………WIZARD TRACED AVIATION

t h e  wi z a r d   l o c a t o r  o f  f o r m s   i n   f l i g h t

By Henryk Szubinski

freedoom of knowledge based rafts in the streamings of deep space as the 5th law in the 5th framework of a law distributed to a alternate star format of motion in a law distributor that defines the alternance of registered functions as a dark matter format:

 

THE DATA HERE is  STORE as the fifth law in the freedoom of knowledge based Chordis6

the mediator reference of the period 150 to 1930 as the time period study of a war period and the advancements of human powered flight in the time span concerning Polish English Author Conrad:

universally speaking , when others work on delays of others, the main reason for failure is the faster velocity of a non parameter to which belong such loss:

data on a greater advancement of vechicularity by the data on how or what is engegeing the data on its store sectional delays as a general fluid format of the data on the forwarded applications of the process relations as a type 3 referenced value as the functionings of similar data delays and their subsequent inputs into a solid state reference of the usage of such data by the processings of the divisive of the common usage of

F=m.a

by the processings of the universal 10 D hyperpsace as the values of the data concerning the projective basis of the sections concerned with the  forwarded data on the systems in usage of the law in its data equalisation as the very real alterations of a 3 x stemmic relationship with the interval as located by This data and its functional ability as a computer a.i programme which locates similar data:

3x (projective force field stability)+3 y ( data on the delays in parameters of force field solids 6 y)= to the z (9 as the equalisations of alternative processess where 9z-6y) as a type escapant value interactive value of gravity..

 

first what could have happened at such periodic change as a physical law:

 

In probability theory and statistics, a median is described as the number separating the higher half of a sample, a population, or a probability distribution, from the lower half. The median of a finite list of numbers can be found by arranging all the observations from lowest value to highest value and picking the middle one. If there is an even number of observations, the median is not unique, so one often takes the mean of the two middle values. At most half the population have values less than the median and at most half have values greater than the median. If both groups contain less than half the population, then some of the population is exactly equal to the median. For example, if a < b < c, then the median of the list {a, b, c} is b, and if a < b < c < d, then the median of the list {a, b, c, d} is the mean of b and c, i.e. it is (b + c)/2.

The median can be used when a distribution is skewed, when end values are not known, or when less importance is attached to outliers, e.g. because they may be measurement errors. A disadvantage is the difficulty of handling it theoretically.^{[citation needed]}

A VALUE  3g = 1/2 ( mean value x+1/1-x)

=3 g 1( 1/2 g2) .1/3 g3

g 1,2,3 are added and their mean value derived as being a forwarded calculation of a

S= v.t process

=1/2 open fase vector motion quantality

as a type mean value locator of the half value in fallen states of gravity interactions with one vector vertical gravity..

where does the vechicular format for flying vechicles derive its format , ?

and what was going on at that time

conrad korzienowski

Joseph Conrad (born Józef Teodor Konrad Korzeniowski; 3 December 1857 – 3 August 1924) was a Polish-born British novelist, who became a British subject in 1886.

He is regarded as one of the greatest novelists in English^[1] though he did not speak the language fluently until he was in his twenties (and then always with a marked Polish accent). He wrote stories and novels, predominantly with a nautical or seaboard setting, that depict trials of the human spirit by the demands of duty and honour.

Conrad was a master prose stylist who brought a distinctly non-English tragic sensibility into English literature.^[2] While some of his works have a strain of romanticism, he is viewed as a precursor of modernist literature; his narrative style and anti-heroic characters have influenced many subsequent authors.^[3] Films have been adapted from or inspired by Conrad’s Victory, Lord Jim, The Secret Agent, An Outcast of the Islands, The Duel, Heart of Darkness, and Nostromo.

descriptive logo types in chivirally

the concept of a higher detailing in the design, without lions or the characteristical arms is rather shown as being a nights armour and a maiden with antlers which is not so unusual however the scarf as a format for implying a daring personality as a clue for chastidy .The shield is not a typical one it is rather smoothed as a type line that follows the lines of a gentle curve:

Much in service for the object of a woman behind the scenes , much of the traditions for a dynamic linear format.

 

AS SUCH THE LINEARITY OF A DESCRIPTIVE SIMILARITY WITH THE LINE AS IN MERLINE OR THE WIZARD MERLIN..

 

AS THE FORCER much described in the force as a typical fomat for the way of the force and the Japaneese war formats

 

AS CONNECTING THE BELONGING BACK INTO THE POLISH LINE OF VECHICLE DESIGNS at thew time when the black barron fought the red barron , even as such when the red barron was remebered for a competition in which almost every bi plane was designed by Polish factories the aviators.maintained .the spirit of competition and adventure..dissregardless of origin..

 

 

THE QUESTION HERE BEING ON THE DESIGN OF STRING FORMATS FOR A ROTATIONAL SIMILARITY TO AIR ( oxygen) as the formats for transportations and the r.p.m data on the flow of such turbine formats as a re representative of the generators used in flying cars..

 

As the basic data on similar processess by a tie in with the basiscs of recombinations on the status = integrity of the process rotational Cir = 2pi r as the data on recombinations of open fase rotations in synch with the gravity basis of 3 levels:

 

 

1) open  Circumferenciality

2) string similarity to flow of a minimal string function in environmental interactions

3) the usage of traling type strings on the fuselage aft sections as a type simulational reconstruct of the data gravity processess that are involvant with the alterations and fluid dynamics in flow.

 

 

 

 

as indicated by the denser more stable format of torque representations of a substance elasticity and the data on transferrance processing that breakjs the forwards displacement into sections of both the spread of dynamic strings and the basic data of the sectional maintainements of seperations of the tail turbulence by data 1,2,3 = to processess of:

 

data on the crowning  formulations of vechicle turbine exit states as state of the art = basic references on tubular linearity and the causes of the data in sections of performance ahead of values by direct vector vertical action = lift as the basic / easy process of data inputts and their responsive dynamical definitionings by the alterations in irregularity as altered to a vector transferrance through 1/2 the value = free vectorisations with pressure zoneings of gravity in 2 states of 1/3 each and the responsive environemnts of the gravity platforms..

a type vechicle KIT of the compositional associations used with flying cars..

THE KIT HERE SHOWN IS MADE TO RESEMBLE THE TYPE FORMERLY SHOWN AS THE TYPICAL CURVED FORMATS IN OPPOSITION AS WITH THE HERALDRY AT THE TIME OF  conrads ancestry and much if not all of 500 more names all with the same herald which dates back to the beginigs of Polish History..

For any probability distribution on the real line with cumulative distribution function F, regardless of whether it is any kind of continuous probability distribution, in particular an absolutely continuous distribution (and therefore has a probability density function), or a discrete probability distribution, a median m satisfies the inequalities

or

in which a Lebesgue–Stieltjes integral is used. For an absolutely continuous probability distribution with probability density function ƒ, we have

Medians of particular distributions: The medians of certain types of distributions can be easily calculated from their parameters: The median of a normal distribution with mean μ and variance σ² is μ. In fact, for a normal distribution, mean = median = mode. The median of a uniform distribution in the interval [a, b] is (a + b) / 2, which is also the mean. The median of a Cauchy distribution with location parameter x₀ and scale parameter y is x₀, the location parameter. The median of an exponential distribution with rate parameter λ is the natural logarithm of 2 divided by the rate parameter: λ⁻¹ln 2. The median of a Weibull distribution with shape parameter k and scale parameter λ is λ(ln 2)^1/k.

sci fi reality……..computer books enter the EARTH WEB PHONE SYSTEM

coputer book communications

By Henryk Szubinski

THE A.I COMPUTERISED SECRETARY: in a ordered sequence value system protocol: inside a data book.

USING COBE DATA AS A LIBRARY INDEXING SYSTEM OF STORE

as a type astrophysics module that can connect data on star system specifics of any astrophysics data ………can also be used in other topics of interest:

USING ANY IMAGE FACILITATION:

 

                          <——————GAUGE SEPERATIONS——————————–>

 

 

A TYPE HETEROGENIOUS SYSTEM THAT IMPLIES SEPERATION OF THE WORD BUTTONS AND DICTIONARY AS SEPERATIONS IN TIME OF THE SECRETARY PROCESSOR:

 

 

In the 1880s, with the invention of the typewriter, more women began to enter the field, and since World War I, the role of secretary has been primarily associated with women. By the 1930s, fewer men were entering the field of secretaries.

 

 

THE MEANING OF LIFE AS A WEB WORD LOCATOR CONTINUIIM:

 

 

                   <—–X——-HETEROGENIOUS SEPERATIONS—–s————>

 

 

 a type seperations gauge of the data displacements:

 

 

HOW TO STORE DATA BY DIRECT LINKING:

using computer books as a type web phone EARTH SYSTEM where the usage of quotations by a general volume of quotations and  general sayings as a type dictionary combined value where the 3 rd value =dictionary as using the quote taken out of context as the connect stage of clicking on words to communicate by over fase transporters in a comunicative value combined sense to meaning and to context as the levels 2 being a priority in the former values as a 1 type connection with the input click .

 

 

CHOOSING IDOIMS AS A TOPIC FOR INTERRELATED DISCUSSIONS:out of a field of many language mechanics sections..

HOW TO COMMUNICATE BETWEEN USERS:

 

AS COMMUNICATING ON SPACETRAVEL  2 books are combined = the sentence taken out of context to be reimplied to a similar user connection of the 2 nd person as taking out the sentence over the connection, the missing data is then responded to by the usage of a voyager data bit also taken out = 3 as common value usage of the process to continue using alternate formats for space travel connected to cars as a topic..

 

= collective worker inputs into a data bank of coherancy of the data formed..

 

 

PRESENTATIVE SECTIONS OF TYPE STAR BRIGHTNESS:

THE DEGREE OF WHITE SCALE QUALITATIVE MEASUREMENTS DEFINE THE POST SCRIPT  as a type level of data input into a a rtifcal surface system..= value of meaning context..

 

 

the MAIN SECTION:

 

by extracting a word in dictionary formats and the cyclism of continual usage of a meaning in the dictionary descriptive of the meaning……….the continuous clicking on words in the dictionary section under space ship as a word rocket fuel taken out——–>redefined dictionary section——————>the word antimatter is taken out. This can continue all the way back to the word spaceship by a process to continue implications of searching through the whole content of the dictionary..

 

 

COMMUNICATING BY SINGLE TERMINOLOGY AS A DESCRIPTIVE PROCESS OF CONTINUOUS DESCRIPTIVES AND KNOWLEDGE FEED BACK.

 

 

 

 

A secretary is an administrative assistant in business office administration.

The executive secretary (sometimes called administrative assistant or associate) has a myriad of administrative duties. Traditionally, these duties were mostly related to correspondence, such as the typing out of letters. The advent of word processing has significantly reduced the time that such duties require, with the result that many new tasks have come under the purview of the secretary. These might include managing budgets and doing bookkeeping, maintaining websites, and making travel arrangements. Secretaries might manage all the administrative details of running a high level conference or arrange the catering for a typical lunch meeting. Often executives will ask their assistant to take meeting minutes and prepare meeting documents for review. They may also do personnel paperwork which used to be thought of as a Human Relations function; this might also include understanding the complex rules regarding Visa and Immigration.

sci fi reality……….matter dialations form..how to displace space time

t h e  d i a l a t i o n s   m a t t e r   f o r m

how to displace space time

By Henryk Szubinski

WHERE THE previous relativity of  SPACE TIME BECOMES THE VECHICLE mooving in a  usability of the alterant format = THE VECHICLE IN RELATIVITY BECOMES THE TIME DIALATIONS =THE VELOCITY OF LIGHT RESTRICTION…as spacetime displaceing

A GENERAL FORMAT FOR DARK MATTER:

THE ALTERATIONS INDICATE THAT :

 

 

a) space time >area of motion object

b) the time diallations < area of the vechicle

 

 

light speed is not restricted to a 1 velocity : it is defined as velocity to accellerate beyond the primary format = light speed by a vector displacement back and forwards from the parameter where the velocity began and where it is to be reached..this implies that the velocity accellerates by a type CATCH UPP AS A LTERNANCE OF THE HIGHER  BOOST EFFECT..OF A AREA  domination as a type 6 x faster than light speed would be a vector x 3 as a type there and back as to define the CATCH UP ON A 6 X TIMES FASTER THAN LIGHT SPEED IN A VECTOR DISPLACEMENT = 1/6 = the distance = the speed of light..

1) whole module = ( c + 1)

and whole parameter modularity = ( c – 1)

as indicative of the reverse direction as not a reversal of time but as the format for a occilations back into the same format of matter without gain in infinite mass as by compounding by the super mass effect of a light speed  addition.

quantum mechanics clink to quantal values 1 and 2

2) from afar

and forwards / reverse comparatives

basically indicated as a rectangular form inside a rectangular parameter restriction of the form motion in its buffering as it contacts the surfaces of its containments and continually bounces back and forth upto such velocity that the velocity increase becomes a type boost = higher than the velocity of light.

3) of close up as start and time of motion

when it defines its motion >c

the resultant opening of the restrictive rectangular boundary is opened and releases the motivation of the boosting into higher velocity ..

4)displacement in minimal differences

the rectangular form exits the fased boosting by a type accelleration of the stretching of space time as a type warp = to the conservations of force not energy.

5) of light speed type differences at close up and far away as a velocity effect difference of similar obkjects without alterance of time dialations warping of matter

the process by time as in einsteins relativity is not violated in how much can be done prior to the restrictions of complex limitations in the velocity of light.

sci fi reality—-magnetic flying car

m a g n e t i c a l    f l y i n g   c a r

By Henryk Szubinski

data here indicates r.p.m as the highest access gear shifting as by the magnetic repulsion / attraction type assist over the vector distance of the r.p.m alterances that are turbine combinations upto the highest values possible and giving it that boost that qualifies for magnetic space time travel..

sci fi reality………..a logo water on the moon for the future

a  l o g o   f o r  t h e  f u t u r e

By Henryk Szubinski

 

you can say it but its oxygen,= fased 3 stage reality of H2O in its O2 count =3 O

you can feel it but its fluid= connectability of H2O reality 3=H63O

so why is this possible on the external reality of water farming for oxygen and respources on the moon: so the 3 states =a basic universal value in 10 Dimensions as hyperspace by:

H63O/ B = 10 Dh.s

where B = a b number as a very large universal value ..and h.s = hyperspace

sci fi reality…..sci fi in scientific market

s c i f i   i n   s c i e n t i f i c   m a r k e t

By Henryk Szubinski

ADAPTING G.P SYSTEMS IN A EASY 20 POINT SYSTEM :representation

1)

when at first there was a need due to loss of economy as in the great depression, the formats

2)

for avoidance were defined as the future sales values of science in technology due to the

3)

industrial revolution and its loss…the formats for the usage of a projective time fase as such

4)

to use the technological projections were lagging behind (jet lag set in) the fased technology

5)

began to appear as the formats for slaes pitches ( frequencies in mobile earth telphone

6)

services) the data was cornered into one place amongst many as the possibilities aqhead of

IF THE FOLD ZONE IS EQUAL TO THE FLAT MAP AND THE FLAT MAP IS CAUSED BY REFERENCE TO THE SPHERICAL, THE ALTERANCE OF SPHERICAL TO FLAT WOULD BE disruptive as shown in the sculpture but by starting with a spherical Blue / white format = to the stretch on a flat plane the resultant is in the same process as from 1 to 20..

7)

their time ( the agency alterations) as such science fiction appeared as a format for art and

not science..long awaited sequels to starwars made the reality of a system of counting the

9)

same as the values to include astrophysics in general concepts and then the sci fi market

10)

showed with the type 1 enterance into advanced universal technologically advanced form

12)

the hipp up in the NASA show of power to the whole EARTH  as a water productions facility

13)

inbetween worlds and in space time that knows no limits in the possibility of H2O clustering

14)

=3x ( the type 1,2,3 civilisations actually there) this was EARTHS own moove to define the

15)

obvious( universes in track vectors were everywhere producing water technology in a 3 fased state of interactions ( 1EARTH (h2o ) 2 INTERACTION ( h2o ) 3 MOON h2o)

= HYDROXYL and many more formats for usage

16)

AS BASIC AS THE MOOVE TO MAKE STEMMIC RELATIONS DEPENDANT ON EVERYTHING

17)

THAT EVER WAS AND EVER WILL BE ,THE STATUS OF EXTERNALITY AS THE FORCE

18)

INPUTS INTO GREATER VALUES OF 3  COMPLETIONS THERE WAS NOT ANYTHING TO

19)

FEAR barakk made the moove to advance helath care ( the fear of psychgological isolations

1)in bussiness , 2) for business , 3)with business….

20)

for extraverted and davanced external associations were gone)…the availability of sci fi art

became as MICHIU KAKU defined the future technological bussiness of real design and real science..

tHE GENERAL MOTIVATIONS FOR USAGE OF THE PAST TO PROOVE THE PRESENT AND TO GAIN ON THE FUTURE AS LIMITED BACAME A THING OF THE PAST:

the definitions of NOW became the definitions for the NO TIME REVERSAL as did the problems of what to do in a completely ESP ( SENSE USAGE TO APPROACH THE QUESTION)

AS =  UNGONE

THE PARAMETERS OF POLAR SIDES AND HEMISPHERES IN A FIELD RECTANGULARITY BASED ON NON LIMITATIONS OF THE COMPUTER , THE COMPUTATOR AND THE HUMAN WORKABILITY BY EXTERNALISED SENSE as trust in ones own ability of stemmic relationsships..

the relational data on  moovability of a flat to spherical capp format can be utilised by the alterances between the cobalt lunar and the transferrance usage of a polar value: here the interinvolvements by gravity zoneings of non extra terrestrial type moovability as a format for non memory interactions.